For some reason some songs in your iTunes library are DRM protected. If you enable the Kind column on your iTunes Library you see the file type for every song. In the example above Nimbus 2000 is a Protected AAC audio file. Unfortunately Apple does not allow access to these files from within another app, so it is... Continue Reading →
This is example 2 on how to sync an audio track to a progression in Mapping Tonal Harmony Pro. In case you haven't read the previous post, here's a link: How to sync progressions to audio tracks in Mapping Tonal Harmony Pro Multiple repetitions of the form Here's this post in video format: https://www.youtube.com/watch?v=JIv51rVMylA Now... Continue Reading →
Before you read this post please make sure you take a look at the previous post: Audio-Sync in Mapping Tonal Harmony Pro 7.5 In order to sync a progression in Mapping Tonal Harmony Pro to an audio track you need two things: The Harmonic Progression entered in Mapping Tonal Harmony Pro The audio track you... Continue Reading →
Mapping Tonal Harmony Pro 7.5 can now sync audio tracks with harmonic progressions. This new feature is great for developing a better understanding of tonal harmony while listening to real-life examples from the masters performed by great musicians. Troubleshooting iTunes Tracks Some files are not allowed in Mapping Tonal Harmony Pro. These are DRM... Continue Reading →
Can we map tonal harmony in a coherent landscape that includes all possible harmonic functions, cadences and expected paths? https://youtu.be/-CYUFipJ0tU It’s all in Mapping Tonal Harmony Pro. Learn More here...
Imagine an interactive harmony map that reveals the secrets of tonal harmony, where every harmonic function is placed coherently through-out the map, respecting the rules of tonality in such a way that any tonal song is in front of your eyes. You just need to discover it! "If you study or teach harmony, Mapping Tonal... Continue Reading →
One of the most-often-used re-harmonization of the V7 is done by replacing that chord with the subV7. Which chord is the subV7 The subV7 is a dominant chord a tritone away from the V7 (also a half step above the tonic or I) Why does the subV7 work as a substitute of the V7? There... Continue Reading →