For some reason some songs in your iTunes library are DRM protected. If you enable the Kind column on your iTunes Library you see the file type for every song. In the example above Nimbus 2000 is a Protected AAC audio file. Unfortunately Apple does not allow access to these files from within another app, so it is... Continue Reading →
See Music is a complex app that listens to you playing an instrument or singing and then gives you instant note-by-note feedback on your performance In order for See Music to work properly the audio inputs and outputs on your device must be set up correctly. See Music work on iPhone, iPad and macOS. In... Continue Reading →
This is example 2 on how to sync an audio track to a progression in Mapping Tonal Harmony Pro. In case you haven't read the previous post, here's a link: How to sync progressions to audio tracks in Mapping Tonal Harmony Pro Multiple repetitions of the form Here's this post in video format: https://www.youtube.com/watch?v=JIv51rVMylA Now... Continue Reading →
Here's a song by Billy Strayhorn that I've always loved and never fully analyzed until writing The Jazz Standards Progressions Book. I've been fascinated by Duke Ellington and Billy Strayhorn compositions since the first time I heard an Ellington album, about thirty years ago. Since then I greatly enjoyed their rich harmonies, rhythmic vocabulary and... Continue Reading →
Here's a musical concept nobody taught me at school. While analyzing 1000+ jazz tunes for The Jazz Standards Progressions Book, I noticed a great number of songs in major keys tonicize the IV degree at the beginning of the bridge. It's usually preceded by the V/IV, landing on the IV at the beginning of the... Continue Reading →
Can we map tonal harmony in a coherent landscape that includes all possible harmonic functions, cadences and expected paths? https://youtu.be/-CYUFipJ0tU It’s all in Mapping Tonal Harmony Pro. Learn More here...
There are 4 ways you can represent a scale's intervalic formula: Degrees Chord-Tones and Tensions Roman Numerals Melodic Intervals Degrees Here's the major scale (Ionian) as degrees. 1 2 3 4 5 6 7 (all degrees al major) Chord-Tones and Tensions The major scale as chord tones (1 3 5 7) and tensions (9 11 13)... Continue Reading →